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                <title type="main">"Dulce Est Mori Pro Patria"</title>
                <title type="sub">a machine-readable transcription</title>
                <editor role="co-editor">R. J. Weir</editor>
                <editor role="co-editor">Elizabeth Lorang</editor>
                <editor role="assistant">Kristen Treen</editor>
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                    <persName xml:id="kt">Kristen Treen</persName>
                    <persName xml:id="bw">R. J. Weir</persName>
                    <persName xml:id="el">Elizabeth Lorang</persName>
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                <authority>Scholarly Editing: The Annual of the Association for Documentary Editing</authority>                 
                <address>
                    <addrLine>http://www.scholarlyediting.org</addrLine>
                </address>                 
                <publisher>Association for Documentary Editing</publisher>                 
                <publisher>University of Nebraska&#8211;Lincoln</publisher>                 
                <distributor>                     
                    <name>Center for Digital Research in the Humanities</name>                     
                    <address> 		                
                        <addrLine>319 Love Library</addrLine> 		                
                        <addrLine>University of Nebraska&#8211;Lincoln</addrLine> 		                
                        <addrLine>Lincoln, NE 68588-4100</addrLine> 		                
                        <addrLine>http://cdrh.unl.edu</addrLine> 		            
                    </address>                 
                </distributor>                        
                <date>2012</date>
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                        <p>Licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License (http://creativecommons.org/licenses/by-nc-sa/3.0/). Derivatives must be credited to R. J. Weir and Elizabeth Lorang, made available non-commercially, and distributed under the same terms.</p>
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                <title level="j">Scholarly Editing: The Annual of the Association for Documentary Editing</title>                 
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                <idno type="vol">34</idno>                 
                <idno type="ISSN">2167-1257</idno>             
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                        <author ref="#ght">G. H. Thomas</author>
                        <title level="a">"Dulce Est Mori Pro Patria"</title>
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                        <title xml:id="paper" level="j">The Anglo-African</title>
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                            <date xml:id="issue_date" when="1865-02-25">25 February 1865</date>                    
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                        <biblScope type="pp">[2]</biblScope>                    
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                    <note type="repository">The microfilm copy used for transcription was loaned by Indiana University-Bloomington.</note>
                    
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                <persName xml:id="ght">Thomas, G. H.</persName>
                <persName xml:id="rh">Hamilton, Robert</persName>
<persName xml:id="th">Hamilton, Thomas</persName>
                <date when="1865">1865</date>
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                    <term>Abolitionists United States</term>
                    <term>Antislavery movements--United States</term>
                    <term>Antislavery movements--United States--History--19th century</term>
                    <term>Death--Social aspects--United States--History--19th century</term>
                    <term>Death--United States--Psychological aspects--History--19th century</term>
                    <term>Lincoln, Abraham, 1744-1786</term>  
                    <term>Slavery--United States--History--19th century</term>
                    <term>United States. Constitution</term>
                    <term>United States --Foreign relations--1861-1865</term>          
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            <change when="2012-06-15" who="#el">checked transcription; encoded</change>
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                <note type="newspaper-editorial" rend="center">FOR THE <choice><sic>ANGLO AFRICAN</sic><corr>ANGLO-AFRICAN</corr></choice>.</note>                
                
                <head type="main" subtype="authorial" rend="center">"DULCE EST MORI PRO PATRIA."<note type="editorial" resp="#bw #el">An abbreviated version of a phrase from Horace: "Dulce et decorum est pro patria mori"&#8212;"sweet it is and honorable to die for one's native land" (<title level="m">Odes</title>, book 3, no. 2, vol. 13; David West, trans., <title level="m">Horace Odes II: Dulce Periculum</title> [Oxford: Oxford University Press, 2002], 23. Thanks, also, to Anthony Bowen for his assistance).</note></head>
                
                <lg type="stanza">
                    <l><emph rend="smallcaps">Who</emph> says&#8212;That, bent on conquest, or for glory's empire <lb/>sighing,</l>
                    <l>We gave our fallen heroes; give our warriors daily dying&#8212;</l>
                    <l>Who says: that we, with heart's of pride, and envious <lb/>souls o'erflowing,</l>
                    <l>Fight 'gainst the right, and set mankind&#8212;death's awful <lb/>harvests mowing&#8212;</l>
                    <l>Proclaims a solemn, sinful lie&#8212;a self-deluding sham!</l>
                    <l>We fight for God, and liberty, and Father Abraham.</l>
                </lg>
                
                
                <lg type="stanza">
                    <l>Where hold we in this awful strife, a single selfish aim?</l>
                    <l>Is it a crime to cherish deep our noble father's fame&#8212;</l>
                    <l>Who left us one great empire; and one loved flag to wave</l>
                    <l>Far o'er its fields, where erst they had bled o'er a tyrant's <lb/>grave?</l>
                    <l>Ah, never tell a specious thing like that to men of sense&#8212;</l>
                    <l>Would England, with her Ireland part, on any false <choice><orig>pre-<lb/>tence</orig><reg>pretence</reg></choice>?<note type="editorial" resp="#bw #el">The question likens England to the United States, and the rebel South to Ireland. Thomas identifies his commitment to the Union with British abolitionism and imperialism. His praise for emancipation in the British West Indies renders an ironic subtext unlikely.</note></l>
                </lg>
                
                
                <lg type="stanza">
                    <l>Is it a crime to give to faithful Afric's sons at last</l>
                    <l>That freedom England nobly gave, full thirty years and <lb/>past?<note type="editorial" resp="#bw #el">The British government passed legislation abolishing slavery in British colonies in July 1833. The terms of the Abolition of Slavery Bill (introduced May 1833) were amended as a result of parliamentary debate: slaves in the British West Indies would be freed on August 1, 1834; in return, planters would receive a grant of twenty million pounds, plus the right to the labor of former slaves over the age of six (now termed "apprentices") for a period of six years. Several years later, on August 1, 1838, the apprenticeship system was abandoned and full freedom for former slaves declared (James Walvin, <title level="m">Black Ivory: A History of British Slavery</title> [London: Harper Collins, 1992], 308).</note></l>
                    <l>A nation, who has toiled for us, through unrewarded years!</l>
                    <l>Should we forever be unjust, through interest or weak <lb/>fears?</l>
                    <l>O, never let the giant heart of the Yengees<note type="editorial" resp="#bw #el">According to John Russell Bartlett's 1859 <title level="m">Dictionary of Americanisms</title>, "The name [<emph rend="italic">Yengees</emph> or <emph rend="italic">Yenkees</emph>] was originally given by the Massachusetts Indians to the English colonists, being the nearest sound they could give for 'English.' It was afterward adopted by the Dutch on the Hudson, who applied the term in contempt to all the people of New England. During the American Revolution, it was eagerly caught at by the British soldiers" (518).</note> beat with <lb/>aught</l>
                    <l>Save honor's&#8212;valor's&#8212;Freedom's pulse, with these be it <lb/>overfraught.</l>
                </lg>
                
                <lg type="stanza">
                    <l>The Great Jehovah, in his Tome, of wondrous wisdom <lb/>written&#8212;</l>
                    <l>Tells how he had in ancient times black <choice><sic>Pharoah's</sic><corr>Pharaoh's</corr></choice> war-<lb/>hosts smitten.</l>
                    <l>Because they&#8212;like these Southern hosts; fought for a <choice><orig>na-<lb/>tion's</orig><reg>nation's</reg></choice> woe&#8212;</l>
                    <l>Enslaved industrious millions, and would not let them go.</l>
                    <l>Then Israel crossed the Red Sea's gulf, and gained free <lb/>Canaan's land,</l>
                    <l>The tyrants, strewed a palsied dust, along their native <lb/>strand.</l></lg>
                
                <lg type="stanza">
                    <l>And so in this great Freedom's war, shall these enslaved be <lb/>free</l>
                    <l>Cross through the mighty gulf of blood, the modern red, <lb/>red sea;&#8212;</l>
                    <l>And rolling back the purple tide, in torrents on the foe&#8212;</l>
                    <l>Disperse them on its war-worn banks, or ere to peace we <lb/>go.</l>
                    <l>And all who truly will obey, the Father Great&#8212;"I am,"</l>
                    <l>Will fight for Freedom, Union, and Father Abraham.</l>
                </lg>
                
                
                <lg type="stanza">
                    <l>Fight on then war-worn patriots&#8212;the world cannot up-<lb/>braid</l>
                    <l>And history in characters of golden light and shade,</l>
                    <l>Shall picture forth thy glorious deeds to coming valorous <lb/>hosts,</l>
                    <l>While they on veneration's knee, shall praise their father's <lb/>ghosts</l>
                    <l>Who dying left them liberty complete and full and free,</l>
                    <l>A great united people, who shall "rule the stormy sea."<note type="editorial" resp="#bw #el">Probably from a version of "The Hardy Norseman's House of Yore," by British composer Robert Lucas Pearsall (1795&#8211;1856); the phrase "ruled the stormy sea" serves as the song's refrain.</note></l>
                </lg>
                
                
                <lg type="stanza">
                    <l>And yon ye colored mothers, if your milk be pure and <lb/>white,</l>
                    <l>And ye love your manly sons, and truly wish their manes <lb/>bright;</l>
                    <l>And high and lofty&#8212;while at home ye bandages may sew,</l>
                    <l>Send forth your youths&#8212;deserving them&#8212;by conflict with <lb/>the foe,</l>
                    <l>And ye poor serfs, whene'er ye can, all Jack and Jim and <lb/>Sam,</l>
                    <l>Fly to our ranks, and strike your blows for Father <choice><orig>Abra-<lb/>ham</orig><reg>Abraham</reg></choice>.</l>
                </lg>
                
                <lg type="stanza">
                    <l>Who says&#8212;That, bent on conquest, or for glory's empire <lb/>sighing,</l>
                    <l>We gave our fallen heroes; give our warriors daily dying&#8212;</l>
                    <l>Who says, that we, with hearts of pride, and envious <lb/>souls o'erflowing&#8212;</l>
                    <l>Fight 'gainst the right, and set mankind&#8212;death's awful <lb/>harvests mowing&#8212;</l>
                    <l>Proclaims a solemn sinful lie, a self-deluding sham!</l>
                    <l>We fight for God, and liberty, and Father Abraham.</l>
                </lg>
            </lg>
            
            <dateline>New York. Feb. 15th, 1865.</dateline>
            <byline rend="right"><emph rend="smallcaps">G. H. Thomas.</emph><note type="editorial" resp="#bw #el">Unidentified. In March 1865 the <title level="j">Anglo-African</title> published two more poems attributed to Thomas: a verse letter paired with a similar piece by "Little Unknown" under the title "Correspondents Wanted" (March 18, 1865) and "The Flag We Love So Well" (March 25, 1865).</note></byline>
            
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