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                <title type="main">The Black Brigade at Port Hudson</title>
                <title type="sub">a machine-readable transcription</title>
                <editor role="co-editor">R. J. Weir</editor>
                <editor role="co-editor">Elizabeth Lorang</editor>
                <editor role="assistant">Kristen Treen</editor>
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                    <persName xml:id="kt">Kristen Treen</persName>
                    <persName xml:id="bw">R. J. Weir</persName>
                    <persName xml:id="el">Elizabeth Lorang</persName>
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                <idno type="edition">cwnewspaperpoetry</idno>
                <authority>Scholarly Editing: The Annual of the Association for Documentary Editing</authority>                 
                <address>
                    <addrLine>http://www.scholarlyediting.org</addrLine>
                </address>                 
                <publisher>Association for Documentary Editing</publisher>                 
                <publisher>University of Nebraska&#8211;Lincoln</publisher>                 
                <distributor>                     
                    <name>Center for Digital Research in the Humanities</name>                     
                    <address> 		                
                        <addrLine>319 Love Library</addrLine> 		                
                        <addrLine>University of Nebraska&#8211;Lincoln</addrLine> 		                
                        <addrLine>Lincoln, NE 68588-4100</addrLine> 		                
                        <addrLine>http://cdrh.unl.edu</addrLine> 		            
                    </address>                 
                </distributor>                        
                <date>2012</date>
                <availability>
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                        <p>Licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License (http://creativecommons.org/licenses/by-nc-sa/3.0/). Derivatives must be credited to R. J. Weir and Elizabeth Lorang, made available non-commercially, and distributed under the same terms.</p>
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                <title level="j">Scholarly Editing: The Annual of the Association for Documentary Editing</title>                 
                <respStmt>                     
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                    <name xml:id="ag">Amanda Gailey</name>                 
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                    <name xml:id="awj">Andrew Jewell</name>                 
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                <idno type="vol">34</idno>                 
                <idno type="ISSN">2167-1257</idno>             
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                    <analytic>
                        <author ref="#jad">John A. Dorgan</author>
                        <title level="a">The Black Brigade at Port Hudson</title>
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                    <monogr>
                        <title xml:id="paper" level="j">The Anglo-African</title>
                        <imprint>
                            <date xml:id="issue_date" when="1863-09-12">12 September 1863</date>                    
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                        <biblScope type="pp">[1]</biblScope>                    
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                    <note type="repository">The microfilm copy used for transcription was loaned by Indiana University-Bloomington.</note>            
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                <persName xml:id="jad">Dorgan, John Aylmer, 1836-1867?</persName>
                <persName xml:id="rh">Hamilton, Robert</persName>
<persName xml:id="th">Hamilton, Thomas</persName>
                <date when="1863">1863</date>
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                    <term>African American soldiers</term>
                    <term>Death--Social aspects--United States--History--19th century</term>
                    <term>Death--United States--Psychological aspects--History--19th century</term>
                    <term>Native Guards, 1st (1862-1863)</term>
                    <term>Port Hudson (La.)</term>
                    <term>Slavery--United States--History--19th century</term>
                    <term>Slavery--United States--Public opinion--History--19th century</term>
                    <term>United States--History--Civil War, 1861-1865--Participation, African American</term>
                    <term>Winkelried, Arnold von</term>
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            <change when="2012-11" who="#awj">added Scholarly Editing info to TEI header</change>
            <change when="2012-10-02" who="#el">added and encoded editorial notes</change>
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                <head type="main" subtype="authorial" rend="center">THE BLACK BRIGADE AT PORT HUDSON.<note type="editorial" resp="#bw #el"><p>The First and Third Regiments of Louisiana Native Guards bravely attacked Port Hudson on May 27, 1863. Some newspaper correspondents mistakenly reported that it was the Second Regiment which had taken part in the assault. In the summer of 1863 Boker's poem circulated in the antislavery press under the title "The Second Louisiana" (see also "The Second Louisiana" in the <title level="j">Christian Recorder</title>, June 13, 1863, and <ref target="aa.18630627.1">"The Second Louisiana"</ref> in the <title level="j">Anglo-African</title>, June 27, 1863). Boker probably wrote the poem in response to early reports, then changed the title to "The Black Regiment" when the mistake became apparent.</p><p>"Col. Daniel's Second Louisiana negro regiment distinguished itself . . . especially in charging upon the enemy's siege guns, losing killed and wounded over 600," reported the <title level="j">Boston Daily Evening Transcript</title> of June 6, 1863 (quoted by James G. Hollandsworth, <title level="m">The Louisiana Native Guards: The Black Military Experience during the Civil War</title> [Baton Rouge: Louisiana State University Press, 1995], 63). "Nobly done, Second Regiment of Louisiana," proclaimed the <title level="j">Liberator</title> a fortnight later. General Nathaniel Banks's official report praised the First and Third Regiments. The <title level="j">Anglo-African</title> of June 13, 1863, brushed aside reporters' confusion as to which Louisiana regiments had taken part in the battle: "It is immaterial which statement is true, so long as the great fact remains; <emph rend="italic">that no such fighting has been seen since the war began</emph>."</p></note></head>
                
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                <byline rend="center">BY JOHN A. DORGAN.<note type="editorial" resp="#bw #el">John Aylmer Dorgan (1836&#8211;1867), conveyancer, poet. Little is known about his life. His father, Daniel, was a cabinetmaker from Ireland who immigrated to the United States and settled in Philadelphia before John's birth. John trained as a specialist property lawyer. <title level="m">Studies</title>&#8212;his first and last collection of poetry, privately published in 1862&#8212;is dedicated to Joseph Ball, a conveyancer of Frankford, Pennsylvania. The book received a lukewarm reception in the <title level="j">Liberator</title> (April 10, 1863). Newspaper poetry provides the only extant record of Dorgan's antislavery sympathies. During the Civil War, Dorgan lived in Philadelphia with his father and "Annie" (probably his elder sister). According to the <title level="j">New York Times</title> of December 31, 1867, he died of consumption that year.</note></byline>
                
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                <lg type="stanza">
                    <l><emph rend="smallcaps">Not</emph> fair, for they too long have borne</l>
                    <l>The badge of shame, the lash of scorn;</l>
                    <l>Not fair, for seamed with many a scar</l>
                    <l>Their spirits like their bodies are;</l>
                    <l>Not learned in books, nor wise in speech,</l>
                    <l>Whom tyrants made it crime to teach;</l>
                    <l>But strong of limb, and true of heart,</l>
                    <l>Behold them in their manhood swart,</l>
                    <l>For this, their trial day, arrayed,</l>
                    <l>The soldiers of the Black Brigade.</l>
                </lg>
                
                
                <lg type="stanza">
                    <l>Forward! and with one pulse sublime,</l>
                    <l>And ringing tread of ancient rhyme</l>
                    <l>They sweep; and onward as they sweep,</l>
                    <l>The thunders of the cannon leap</l>
                    <l>Upon them, and their bleeding host</l>
                    <l> Within the battle-cloud is lost;</l>
                    <l>Flash sword and bayonet, shot and shell</l>
                    <l>Fly screaming in that mist of hell.</l>
                    <l>But onward, onward, undismayed</l>
                    <l>They hold their way, the Black Brigade.</l>
                </lg>
                
                
                <lg type="stanza">
                    <l>And on, and on, and on they tread,</l>
                    <l>And all the field was heaped with dead,</l>
                    <l>And slippery grows the grass with gore;</l>
                    <l>But onward! onward! yet once more!</l>
                    <l>In vain! in vain! The moated wall</l>
                    <l>Mocks them, but valiantly they fall;</l>
                    <l>Anselmo<note type="editorial" resp="#bw #el">Anselmo/Anselmas Planciancios (1822?&#8211;May 27, 1863); sergeant, Company E, First Regiment of Louisiana Native Guards. Prior to his enlistment, free-born Planciancios worked as a driver to support his family (Stephen S. Ochs, <title level="m">A Black Patriot and a White Priest: André Cailloux and Claude Paschal Maistre in Civil War New Orleans</title> [Baton Rouge: Louisiana State University Press, 2000], 80). He was chosen to carry the regimental colors during the Port Hudson attack: the dangerous role was perceived as an honor and a mark of military distinction. Early in the battle, Planciancios was mortally wounded in the head: "He hugged the colors to his heart and fell forward on them," reported the <title level="j">Boston Journal</title> (<title level="j">Anglo-African</title>,  June 27, 1863, [2]).</note> dies, but to his breast</l>
                    <l>The flag he bore in life is pressed;</l>
                    <l>Or knave or fool who did not aid</l>
                    <l>The heroes of the Black Brigade.</l>
                </lg>
                
                
                <lg type="stanza">
                    <l>Again, again, and yet again,</l>
                    <l>They charge; but ah! too few, in vain;</l>
                    <l>The negroes' courage is in vain,</l>
                    <l>Nor can atone the Saxon's brain;</l>
                    <l>The day is lost; on every side</l>
                    <l>Have Saxons fled; let none deride</l>
                    <l>Who mark <emph rend="italic">them</emph> as they backward go</l>
                    <l>With eyes of rage and footsteps slow;</l>
                    <l>And all who saw how few, <choice><sic>huzzaed</sic><corr>huzzahed</corr></choice></l>
                    <l>In honor of the Black Brigade.</l>
                </lg>
                
                
                <lg type="stanza">
                    <l>Yet not for them was lost the day,</l>
                    <l>Who made like Winkelried<note type="editorial" resp="#bw #el">Arnold von Winkelried, a Swiss soldier reputed to have turned the tide of the Battle of Sempach (1386). When the Swiss found themselves surrounded by Austrian enemies, Winkelried "seized with both arms as many of the enemy's spears as he was able, buried them in his body, and sank dead to the ground, while the confederates rushed forward through the breach, over the body of their heroic and self-devoted compatriot" (Frederick Kohlrausch, <title level="m">A History of Germany; From the Earliest Period to the Present Time</title>, trans. James D. Haas [New York: Appleton, 1852], 220).</note> a way;</l>
                    <l>And bridge-like o'er their bodies dead</l>
                    <l>Shall Freedom to their brethren tread;</l>
                    <l>The sickle they shall grasp no more;</l>
                    <l>But harvest in the fields of war;</l>
                    <l><emph rend="italic">Their</emph> history shall keep the fame</l>
                    <l>Of those who, dying, overcame;</l>
                    <l><emph rend="italic">Their</emph> poets in their songs shall braid</l>
                    <l>The memory of the Black Brigade.</l>
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